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Licenses in Short
Desktop
You can install fonts on your computer for a specified number of users. Suitable for logos and corporate identity, non-commercial PDFs, printed materials, merchandise, and social media posts. Not suitable for videos (see Video license).
Web
Suitable for use on websites. The price depends on the number of monthly visitors. Not suitable for websites that allow users to create their own products or for use on SaaS platforms (see Server license).
App
Applicable for a specified number of mobile apps. If an app has the same title but is available on different OSs, it will still be considered as a single app. For desktop app usage, please contact us.
eBook
Suitable for the use in a specified number of e-books, e-magazines, commercial PDFs, or other electronic publications. One issue is considered as one publication (title). The font must not be extractable.
Video
Suitable for a specified number of videos, such as those used on social media, for blogging, on a YouTube or TV channel, for online or offline broadcasts.
Digital Ad/Emails
Suitable for displaying online banners, digital advertisements, and posters, and can also be used for promoting content on social media. The license price depends on the number of advertising impressions.
Video Games
Suitable for the embedding a font in the code of a specified number of video games.
Server
Suitable for the use on websites and applications where unlicensed users can create a product using the selected font.
You can install fonts on your computer for a specified number of users. Suitable for logos and corporate identity, non-commercial PDFs, printed materials, merchandise, and social media posts. Not suitable for videos (see Video license).
Web
Suitable for use on websites. The price depends on the number of monthly visitors. Not suitable for websites that allow users to create their own products or for use on SaaS platforms (see Server license).
App
Applicable for a specified number of mobile apps. If an app has the same title but is available on different OSs, it will still be considered as a single app. For desktop app usage, please contact us.
eBook
Suitable for the use in a specified number of e-books, e-magazines, commercial PDFs, or other electronic publications. One issue is considered as one publication (title). The font must not be extractable.
Video
Suitable for a specified number of videos, such as those used on social media, for blogging, on a YouTube or TV channel, for online or offline broadcasts.
Digital Ad/Emails
Suitable for displaying online banners, digital advertisements, and posters, and can also be used for promoting content on social media. The license price depends on the number of advertising impressions.
Video Games
Suitable for the embedding a font in the code of a specified number of video games.
Server
Suitable for the use on websites and applications where unlicensed users can create a product using the selected font.
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↓TOUCH & EXPLORE↓ ↑TOUCH & EXPLORE↑
Switch glyph
SFT Sushka Family
Font Tester
Thin
ExtraLight
Light
Regular
Medium
DemiBold
Bold
ExtraBold
Black
ExtraBlack
Flat Thin
Flat ExtraLight
Flat Light
Flat Regular
Flat Medium
Flat DemiBold
Flat Bold
Flat ExtraBold
Flat Black
Flat ExtraBlack
The Old French word bescuit is derived from the Latin words bis (twice) and coquere, coctus (to cook, cooked), and, hence, means “twice-cooked”
Thin
ExtraLight
Light
Regular
Medium
DemiBold
Bold
ExtraBold
Black
ExtraBlack
Flat Thin
Flat ExtraLight
Flat Light
Flat Regular
Flat Medium
Flat DemiBold
Flat Bold
Flat ExtraBold
Flat Black
Flat ExtraBlack
Dans le tombeau du pharaon égyptien Ti, de la Ve dynastie, des peintures montrent un ouvrier qui attise le feu d’un four où cuisent des galettes.
Thin
ExtraLight
Light
Regular
Medium
DemiBold
Bold
ExtraBold
Black
ExtraBlack
Flat Thin
Flat ExtraLight
Flat Light
Flat Regular
Flat Medium
Flat DemiBold
Flat Bold
Flat ExtraBold
Flat Black
Flat ExtraBlack
Удобнейший рецепт них для домашнего приготовления: яйца взбить с сахаром до увеличения в объёме в 2,5-3 раза.
Thin
ExtraLight
Light
Regular
Medium
DemiBold
Bold
ExtraBold
Black
ExtraBlack
Flat Thin
Flat ExtraLight
Flat Light
Flat Regular
Flat Medium
Flat DemiBold
Flat Bold
Flat ExtraBold
Flat Black
Flat ExtraBlack
Wyróżnia się dwa typy herbatników: laminowane i nielaminowane, które dzielą się na dwa rodzaje: przekładane i nieprzekładane nadzieniem.
Thin
ExtraLight
Light
Regular
Medium
DemiBold
Bold
ExtraBold
Black
ExtraBlack
Flat Thin
Flat ExtraLight
Flat Light
Flat Regular
Flat Medium
Flat DemiBold
Flat Bold
Flat ExtraBold
Flat Black
Flat ExtraBlack
På Tunestenen, en runesten rejst på 300-tallet i Østfold og fundet i 1627 i kirkegårdsmuren ved Tune kirke, nu opbevaret på kulturhistorisk
Variable Font Tester
Variable
| Flat: | ||
| Weight: | 700 |
Buy SFT Sushka
Got questions? Ask us!
If you’re unsure which license is right for you, or if you need a custom/unlimited license, just ask us here or email us at info@schrifteria.xyz. We’d be more than happy to assist you with any questions you may have!
You can also read more about licenses here.
If you’re unsure which license is right for you, or if you need a custom/unlimited license, just ask us here or email us at info@schrifteria.xyz. We’d be more than happy to assist you with any questions you may have!
You can also read more about licenses here.
About Typeface
SFT Sushka is a headline typeface with a soft character and a strong visual presence.
Concept
SFT Sushka is designed for expressive display use, where typography needs to feel friendly, distinctive, and immediately noticeable. Its soft character makes it especially well suited for packaging, branding, and editorial headlines, particularly in food and lifestyle contexts. With a wide range of widths and a variable font, SFT Sushka adapts easily to tight or unconventional layouts while maintaining a consistent, recognizable voice.
SFT Sushka is designed for expressive display use, where typography needs to feel friendly, distinctive, and immediately noticeable. Its soft character makes it especially well suited for packaging, branding, and editorial headlines, particularly in food and lifestyle contexts. With a wide range of widths and a variable font, SFT Sushka adapts easily to tight or unconventional layouts while maintaining a consistent, recognizable voice.
Graphics
Soft contours and rounded notches define the visual language of SFT Sushka, giving it an approachable and warm tone without losing clarity. These details create a playful surface texture that reads confidently at large sizes. For more restrained and neutral applications, the Flat subfamily removes the notches, offering a calmer appearance while preserving the core proportions and rhythm of the design.
Family
The family is built as a gradual spectrum, moving from very narrow and quirky styles to wider, softer, and more relaxed ones. Variation is expressed not only through width and weight, but also through shifts in overall mood, allowing designers to fine-tune the level of expressiveness within the same typographic system. This makes the family suitable for both bold statements and more controlled headline hierarchies.
Tight line spacing across languages
SFT Sushka is engineered to support very tight line spacing, even in languages that rely heavily on diacritics. This makes it reliable in compact headline settings, packaging, and multilingual layouts where vertical space is limited but visual impact is essential.
Worry-Free Variable Font
The variable version of SFT Sushka is designed for stable and predictable use. Its construction avoids unexpected intersections or distortions, ensuring that the variable font behaves consistently with the static styles across the full width range.
Soft contours and rounded notches define the visual language of SFT Sushka, giving it an approachable and warm tone without losing clarity. These details create a playful surface texture that reads confidently at large sizes. For more restrained and neutral applications, the Flat subfamily removes the notches, offering a calmer appearance while preserving the core proportions and rhythm of the design.
Family
The family is built as a gradual spectrum, moving from very narrow and quirky styles to wider, softer, and more relaxed ones. Variation is expressed not only through width and weight, but also through shifts in overall mood, allowing designers to fine-tune the level of expressiveness within the same typographic system. This makes the family suitable for both bold statements and more controlled headline hierarchies.
Tight line spacing across languages
SFT Sushka is engineered to support very tight line spacing, even in languages that rely heavily on diacritics. This makes it reliable in compact headline settings, packaging, and multilingual layouts where vertical space is limited but visual impact is essential.
Worry-Free Variable Font
The variable version of SFT Sushka is designed for stable and predictable use. Its construction avoids unexpected intersections or distortions, ensuring that the variable font behaves consistently with the static styles across the full width range.
Team
Yulia Gonina — Type Designer
Kirill Maslov — Font Engineer
Alena Linnask — Graphic Designer
Yulia Gonina — Type Designer
Kirill Maslov — Font Engineer
Alena Linnask — Graphic Designer
Details
First Release: May 2023
Current Version: 1.000
First Release: May 2023
Current Version: 1.000
Latin: Abenaki, Afaan-Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese-Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir-(Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape-Verdean-Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean-Creole, Gwich’in, Haitian-Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese-(Latin), Jèrriais, Kaingang, Kala-Lagaw-Ya, Kapampangan (Latin), Kaqchikel, Karakalpak-(Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish-(Latin), Ladinlatinlatino-sine-Flexione, Latvian, Lithuanian, Lojban, Lombard, Low-Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam-Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese-Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami-(Inari-Sami), Sami (Lule-Sami), Sami (Northern-Sami), Sami (Southern-Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish-Gaelic, Serbian-(Latin), Seri, Seychellois-Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio-(Latin), Somali, Sorbian (Lower-Sorbian), Sorbian (Upper-Sorbian), Sotho (Northern), Sotho-(Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok-Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen-(Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni.
Cyrillic: Adyghe, Akhvakh, Aleut (Cyrillic), Altaic, Andi, Archi, Avar, Bashkir, Belarusian (Cyrillic), Besermyan, Bosnian (Cyrillic), Bulgarian (Cyrillic), Buryat, Chechen (Cyrillic), Chukchi, Chulym, Chuvash, Dargwa, Dungan, Enets, Even (Lamut), Gagauz, Godoberi, Ingush, Kabardino-Cherkess, Karaim, Karakalpak, Karata (Karata-Tukita), Karelian, Kazakh (Cyrillic), Ket, Kildin Sámi, Kirghiz, Komi-Zyrian, Koryak, Kumyk, Lak, Lezgian, Macedonian, Moldavian (Cyrillic), Mongolian, Mordvin-moksha, Nanai, Nganasan, Oroch, Ossetian, Russian, Rusyn, Saami, Serbian (Cyrillic), Soyot-Tsaatan, Tabasaran, Tadzhik, Tatar Volgaic, Tindi, Touva, Tsez, Turkmen (Cyrillic), Udege, Udmurt, Uighur (Cyrillic), Ukrainian, Ulch, Uzbek (Cyrillic), Veps, Yukagir.
Cyrillic: Adyghe, Akhvakh, Aleut (Cyrillic), Altaic, Andi, Archi, Avar, Bashkir, Belarusian (Cyrillic), Besermyan, Bosnian (Cyrillic), Bulgarian (Cyrillic), Buryat, Chechen (Cyrillic), Chukchi, Chulym, Chuvash, Dargwa, Dungan, Enets, Even (Lamut), Gagauz, Godoberi, Ingush, Kabardino-Cherkess, Karaim, Karakalpak, Karata (Karata-Tukita), Karelian, Kazakh (Cyrillic), Ket, Kildin Sámi, Kirghiz, Komi-Zyrian, Koryak, Kumyk, Lak, Lezgian, Macedonian, Moldavian (Cyrillic), Mongolian, Mordvin-moksha, Nanai, Nganasan, Oroch, Ossetian, Russian, Rusyn, Saami, Serbian (Cyrillic), Soyot-Tsaatan, Tabasaran, Tadzhik, Tatar Volgaic, Tindi, Touva, Tsez, Turkmen (Cyrillic), Udege, Udmurt, Uighur (Cyrillic), Ukrainian, Ulch, Uzbek (Cyrillic), Veps, Yukagir.
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